Under The Influence: Billie Joe Armstrong (Green Day)

A lot of punk rock bands are always trying to be so hard all of the time, macho brutality doesn’t necessarily mean you’re a good songwriter. I think that some of the Beatles’ songs are way more punk rock than most punk songs written today. Like the song Yesterday. It’s such a bittersweet song. It’s very important for me to have a message that goes along with the writing. So...what comes to mind for me is a song like The Ballad of John & Yoko, where [Lennon] had this really nice sounding song. But the lyrics penetrate like a knife. “They’re gonna crucify me…” That’s kind of nice way — nice, I mean, in an oxymoronic sense – to put forward something you want to attack.

Interview with Paul Zollo 

There are Beatles songs that are way more punk rock than anything the Circle Jerks or Bad Religion ever put out. That guitar figure at the beginning [of In My Life] introduces the song perfectly. Plus the harmonies and backup playing are terrific. John Lennon is analysing his past, all the people that came in and out of his life. He’s sort of bitter, but he’s trying to be levelheaded about it. I can imagine him singing it and having a very sly smile on his face. It’s almost like he’s sincerely bidding someone farewell - but telling them to f*** off at the same time.

Lava Magazine

The Minor 4 Chord (pt.2)

From the 4 (IV) to the minor 4 (iv)

Last time we had an introduction to the minor 4 chord (iv), now lets take a look at where the Beatles use it in their own songs. First a couple in the key of A


In My Life – verse I, V, IV, iv, I

There are A places E I remember all my D life Dm though A some have changed


You Won’t See Me – verse I, I7, IV, iv, I

A we have A7 lost the D time that Dm was hard to A find


I Call Your Name is in the key of E and the end of the verse goes II, IV, iv, I

I never F#7 weep at night A I Am call your name E7


When I’m Sixty Four is in C – verse I, I7, IV, iv, I,

C If I ‘d been out till quarter to three C7 would you lock the F door
Will you still Fm need me C will you still…

(Though they sound nothing like each other the sequence in When I'm Sixty Four is exactly the same as You Won’t See Me)


Hello Goodbye is also in C – Chorus IV, iv, I

I don’t know F why you say good - Fm/Ab – bye I say hel—C – lo

(Notice the iv here is in the first inversion, with the Ab in the bass rather than the F. It’s still the minor 4 though).


Lastly Blackbird is in G – verse IV, iv, I

All you C life Cm G/B you were only waiting for this moment


(Almost all McCartney songs! Hmmm….)

There are a few other songs that hint at this change – the chord pops up in Dear Prudence’s main guitar pattern, as a passing chord in Her Majesty (thought it may be a mistake) and on the ‘unreleased’ What’s The New Mary Jane?

They used it. So can You!

This progression has cropped up a lot post-Beatles too. Oasis used it (surprised? – me neither) in Don’t Look Back In Anger

F so I start a revo Fm lution in my C head
Cos you F said the brains I Fm had went to my C head


And Green Day’s - Wake Me Up When September Ends is another example.

C wake me up Cm when September G ends


Next time we’ll look at songs where the Beatles use the minor 4 (iv) alongside the minor 6 (vi).

1: Introduction
2: Major 4 to minor 4
3: Minor 6 to minor 4
4: Minor 2 to minor 4
5: 1 to minor 4 

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